NEW YORK, Feb. 11, 2014 /PRNewswire/ -- If he wanted to, Jonas Kaufmann could easily fill his calendar with Verdi and Wagner, Puccini and Massenet, but however much he loves opera, he cannot live without lieder. For the German tenor, interpreting the classical lieder repertory is "the haute ecole of singing." It demands far more detailed work than any other vocal discipline, more color, more nuances, a greater range of dynamics and a more subtle approach to the music and words.
If there is an acid test for any lieder singer, it is undoubtedly Schubert's Winterreise, a cycle of twenty-four settings of poems by Wilhelm Muller that is generally regarded as the pinnacle of lieder singing, a sequence of songs as thrilling for listeners as it is for the performer.
"Against the background of all the horror stories that bombard us today, we are undoubtedly rather more hardened than Schubert's contemporaries, and yet even today's listeners can still find this cycle affecting," Kaufmann describes his experience of the work. "Even as interpreters we always find ourselves sucked into the emotional undertow of these songs, although we know perfectly well what to expect. I think that Winterreise has the same sort of cathartic effect as a Greek drama: the emotional experience purges the soul. On me, the work has an almost meditative effect because Schubert expressed these emotional depths with clarity and simplicity that I ultimately find consoling and that allows me to regain my own inner balance."
After working together closely for many years and giving a number of recitals of Schubert's great song cycles, Jonas Kaufmann and Helmut Deutsch have now made their first recording of Winterreise. The recording was made in October 2013 in the August Everding Hall in Grunwald in Munich and documents the current state of a very special partnership that began many years ago at the Munich Academy of Music and Theatre. Over the years the initial teacher-pupil relationship has been transformed into a wonderful example of artistic communication that has found expression not only in the recording studio but also at countless song recitals, most notably at the Metropolitan Opera in New York on October 30, 2011, the first solo recital heard at the Met since Luciano Pavarotti's recital in 1994. The performance was greeted with the sort of acclaim that is normally reserved for a major operatic concert.
Jonas Kaufmann and Helmut Deutsch will make their Carnegie Hall recital debut on February 20, before going on tour with Winterreise, starting on March 28. Their journey will take them from the Gran Teatre del Liceu in Barcelona to Geneva, Berlin, Graz, London, Paris, Prague and Moscow, ending at La Scala, Milan, on April 14, 2014. For more information, visit http://www.jonaskaufmann.com/en/.
- Gute Nacht
- Die Wetterfahne
- Gefrorne Tranen
- Der Lindenbaum
- Auf dem Flusse
- Die Post
- Der greise Kopf
- Die Krahe
- Letzte Hoffnung
- Im Dorfe
- Der sturmische Morgen
- Der Wegweiser
- Das Wirtshaus
- Die Nebensonnen
- Der Leiermann
Sony Masterworks comprises, Masterworks, Okeh, Portrait, Sony Classical, RCA Red Seal, and Masterworks Broadway imprints. For email updates and information please visit www.SonyMasterworks.com.
18, 22, 25, 28 Werther, Massenet - Metropolitan Opera, New York, NY
20 Recital - Carnegie Hall, New York, NY
3, 7, 11, 15* Werther, Massenet - Metropolitan Opera, New York, NY
19 Concert with Renee Fleming – Lyric Opera, Chicago, IL
* The March 15 matinee of Werther is a Live in HD transmission, which can be seen in 2,000 movie theaters in 64 countries around the world.
SOURCE Sony Classical